HSG
10th October 2006, 08:31
<br>We were initially dismayed to learn that America Ferrera, star of <i>Real Women Have Curves,</i> would be appearing on a network TV program called . . . <i>Ugly Betty</i> (shudder). Viewing the premier episode, two weeks ago, did little to change our opinion. In keeping with the title, the show requires Miss Ferrera to look as unattractive as possible, with bad eyebrows, a mouthful of braces, and matronly wardrobe. Worse, it pits her character against a gaunt work associate (one who fits the emaciated media notion of female attractiveness). These factors threaten to turn the series into a weekly exercise in beauty-resentment.
In a recent <a href="http://www.judgmentofparis.com/board/showthread.php?t=403" target="_blank">post</a>, we called for the day when a show would cast a plus-size actress in a glamorous part--a role that would require her beauty to be explicitly acknowledged. In TV land, this has only happened once before--in the case of Christina Schmidt's character, Terri MacGregor, on <i>Degrassi: The Next Generation.</i>
However, we are now pleased to report a second example of a television character who possesses a measure of Classical beauty. And it just so happens that this character appeared on . . . (you guessed it) . . . <i>Ugly Betty.</i>
We still hesitate to recommend the show outright, as the tone and quality of the series is likely to vary from week to week. Nevertheless, the episode that aired last Thursday (Oct. 5), titled "The Box and the Bunny," not only merits our most enthusiastic praise, but we would even go so far as to deem it . . . <i>Must-See TV.</i>
By way of background, America Ferrera stars in the show's title role, as a newly-hired secretary at a <i>Vogue</i>-like fashion magazine. (This fictional publication is called <i>Mode,</i> and the sacrilegious use of that hallowed name to refer to a <i>straight-size</i> fashion glossy was one of the reasons why we were negatively predisposed toward this series in the first place.)
The storyline of this particular episode involves an actress named Natalie Whitman (with unmistkable Renee Zellweger overtones), who has gained weight for a Bridget-Jones-like movie role.<p><center><img src="http://www.judgmentofparis.com/forum/betty/cap016.jpg"></center><p>Sarah Jones--the actress playing the Zellweger-ish part--is regrettably not plus-size. However, to the great credit of <i>Ugly Betty</i>'s casting director, she does have the soft, rounded face and fair features that epitomize timeless beauty, giving the episode's weight-gain premise some credibility.<p><center><img src="http://www.judgmentofparis.com/forum/betty/cap096.jpg"></center><p>(Sarah is also infinitely more attractive than Ms. Zellweger, which makes the role particularly subversive.)<p><center><img src="http://www.judgmentofparis.com/forum/betty/cap037.jpg"></center><p>In this episode's storyline, Natalie Whitman has just been photographed by Betty's magazine at her current, larger size, and the images have become an "issue" for the magazine's editor, and for Natalie's curve-o-phobic publicist.<p><center><img src="http://www.judgmentofparis.com/forum/betty/cap033.jpg"></center><p>In the (gorgeous) photographs in question, Natalie appears thin, but not starving, which renders her <i>far</i> too curvy-looking for these industry "professionals," with their collective fetish for emaciation.
In the excerpt provided below (as an online video), Natalie's photographs are being digitally diminished to eliminate any trace of her soft beauty.<p><center><img src="http://www.judgmentofparis.com/forum/betty/cap018a.jpg"></center><p>- <a href="http://www.judgmentofparis.com/video/betty01.wmv">Click here to view video clip #1</a> (83 sec.)
It is utterly appalling to see the ways in which this attractive photograph is digitally disfigured by size-reduction manipulation. Natalie's beautiful face, arms, bust, and hips are each destroyed, one by one. Natalie's natural, feminine appearance is distorted into repulsive gauntness. (If any <i>plus-size</i> retailers ever resort to such horrifying practices, their customers should abandon them instantly.)
As the above video clip indicates, Betty is the only magazine staffer who sees this nightmarish practice for the horror that it really is. But deference to her boss prevents her from speaking her mind.
Later, in one of the most painful and moving scenes we have ever seen, Betty notices the actress gazing at her pre-diminished image, heartbroken over the disfigurement of her breathtaking beauty.<p><center><img src="http://www.judgmentofparis.com/forum/betty/cap049.jpg"></center><p>- <a href="http://www.judgmentofparis.com/video/betty02.wmv">Click here to view video clip #2</a> (30 sec.)
These clips reveal the show's wisdom in presenting Betty as a somewhat dowdy character. The series is not simply rehashing a cliched, Cinderella theme (<i>"Ugly Betty learns that beauty is on the inside,"</i> or some such drivel). Rather, Betty represents an everywoman character, a person whose gifts reside not in her photogenic qualities (or lack thereof), but in her ability to look past industry prejudices, and to see Truth in this kingdom of the blind. Wisely, the show gave the Beauty role to a different actress--someone whose physical loveliness is indisputable, regardless of size.<p><center><img src="http://www.judgmentofparis.com/forum/betty/cap083.jpg"></center><p>But the episode does not wallow in pity. The very next scene is such a perfect expression of size celebration, that viewers will be forgiven for thinking that we have altered the dialogue to suit the themes of our Web project. But we have not. This is exactly how the scene played on prime-time TV.<p><center><img src="http://www.judgmentofparis.com/forum/betty/cap052.jpg"></center><p>- <a href="http://www.judgmentofparis.com/video/betty03.wmv">Click here to view video clip #3</a> (40 sec.)
Did you ever think that you would see an ingenue character on network television admit that she is "starving," and indulge in a calorie-rich delicacy (an <a href="http://images.google.com/images?num=100&hl=en&safe=off&sa=N&resnum=0&q=empanada&tab=wi" target="_blank">empanada</a>)--<i>after</i> the show's storyline has established that this ingenue has already gained weight? It is the television equivalent of a plus-size model finally becoming genuinely curvaceous (size 14 or better), and openly acknowledging a passion for food. One cannot conceive of a more size-positive scene (except with a more visibly plus actress).<p><center><img src="http://www.judgmentofparis.com/forum/betty/cap056.jpg"></center><p>The episode suggests that, having gained the weight for her Bridget-Jones-like role, Natalie <i>likes</i> herself at a larger size. Her preference for her non-diminished images signals her awareness that she possesses superior beauty in her current, fuller-figured state. Moreover, her guilt-free enjoyment of Betty's empanadas indicates that she has come to love the freedom of being able to eat as much as she wants, and that she is unwilling to give up this pleasure for the punishment of diet-starvation.<p><center><img src="http://www.judgmentofparis.com/forum/betty/cap061.jpg"></center><p>But it gets even better. Regular readers of this forum will discern that Betty's act of offering the ravenous beauty a decadent treat signifies the mythological basis of their mutually-enabling relationship.<p><center><img src="http://www.judgmentofparis.com/forum/betty/cap063.jpg"></center><p>Betty is, in fact, playing the role of <strong>Ceres</strong> to the actress's <strong>Venus</strong>. As we have noted <a href="http://www.judgmentofparis.com/board/showthread.php?t=390&highlight=ceres" target="_blank">before</a>, Ceres, the Classical goddess of food and the harvest, was an attendant of Venus (whose characteristics included self-indulgent tendencies). In her supportive role, Ceres was charged with satisfying the lavish appetite of the goddess of beauty.
This subtle mythological reference underscores the healthy nature of the relationship that Natalie and Betty share--a relationship based on an appreciation of their mutual gifts. Betty is not resentful of Natalie's feminine beauty, but admires it. Indeed, she is protective of it. And for her part, Natalie is gratified and inspired by Betty's adoration of her more comfortable appearance.<p><center><img src="http://www.judgmentofparis.com/forum/betty/cap047.jpg"></center><p>This mutually-supportive relationship is encapsulated in the following scene. In the episode's storyline, Betty accidentally loses Natalie's unretouched photos, causing friction between Betty's magazine and Natalie's thinness-obsessed publicist, who fears that the photos will harm the actress's career, if they are ever leaked. Betty is on the verge of quitting her job over the trouble that she has caused, when she encounters Natalie once again.<p><center><img src="http://www.judgmentofparis.com/forum/betty/cap081.jpg"></center><p>- <a href="http://www.judgmentofparis.com/video/betty04.wmv">Click here to view video clip #4</a> (75 sec.)
Not only does this scene establish Betty's reverential attitude towards Natalie, but it speficifally refutes a claim that the magazine's curve-o-phobic editor expressed in the first video clip--i.e., that Natalie's images must be digitally disfigured in order to be "aspirational."
The fashion industry habitually twists the notion of "aspiration" into an excuse for the continued suppression of plus-size beauty. But Betty's answer explodes this myth. She states:<p><blockquote><i>"I really did think that those <strong>unretouched</strong> photos were beautiful. And the truth is, I'd kill <strong>to look like you.</strong>"</i></blockquote><p>In saying so, Betty reveals that ordinary women <i>can</i> and <i>would</i> find fuller-figured actresses "aspirational"--more so, even, than underweight celebrities. Fashion <i>is</i> about "aspiration," but Betty's comment reveals that women can and would <i>aspire</i> to look like <i>fuller-figured</i> actresses and models--if those plus-size starlets were as gorgeous as Natalie.<p><center><img src="http://www.judgmentofparis.com/forum/betty/cap092a.jpg"></center><p>In other words--at least in this episode--<i>Ugly Betty</i> is not calling for an end to fantasy and aspiration, but for <i>better</i> aspiration, and for a <i>more beautiful</i> fantasy. The show is not about displacing "ideal" by "real," but about replacing a false ideal (the digitally-diminished Natalie) with a <i>superior</i> ideal (the unretouched, visibly-voluptuous Natalie).<p><center><img src="http://www.judgmentofparis.com/forum/betty/cap027a.jpg"></center><p>Beyond these specific scenes, the episode is a thoughtful examination of Beauty and Truth. Several characters in the show--Betty included--find themselves in difficult circumstances due to lies of convenience, predicaments from which they only extricate themselves by admitting the Truth. Natalie's images thus become a metaphor for the oneness of Truth and Beauty. The magazine is effectively <i>lying</i> by digitially-diminishing Natalie's photos. These distorted images are visual falsehoods, and cause pain and suffering, while the true photos, the unretouched images, show the Truth of Natalie's soft Beauty, and ultimately provide the solution to the episode's central conflict.
In pushing for the use of her unretouched photos, Natalie--in her role as Venus, Goddess of Beauty--also becomes an advocate of Truth. Moreover, the magazine's stick-thin secretary (who is Betty's office rival), represents false beauty--the modern, undernourished sort--while fuller-figured Natalie represents True Beauty. Fittingly, this underweight secretary--although she is technically attractive, according to the magazine's (and the media's) mendacious standards--is actually embittered and envious, whereas Betty, although she is personally unattractive, is supportive rather than resentful of the beautiful actress.<p><center><img src="http://www.judgmentofparis.com/forum/betty/cap074.jpg"></center><p>This episode compellingly advocates loving your body at your natural size, and <i>never</i> starving yourself for absurd industry pressures, or allowing your timeless beauty to be artificially diminished.
(All plus-size models should take this particular lesson to heart.)
More importantly, in the positive relationship between Natalie and Betty, the episode encourages young women to show a reverence for true beauty, rather than a resentment of it. It suggests that, for Beauty to exist, its living exemplars must be cherished, nurtured, protected, and supported, for there will always be negative forces intent on their destruction.
The episode furthermore indicates that any significant cultural change will require the complimentary gifts and efforts of both the Bettys <i>and</i> the Natalies of the world, of Truth and Beauty, of word and image. Only a harmonious union of the two will bring about an Aesthetic Restoration, and restore the timeless feminine ideal.<p><center><img src="http://www.judgmentofparis.com/forum/betty/cap069.jpg"></center><p>- <a href="http://abc.go.com/primetime/uglybetty/" target="_blank">''Ugly Betty,'' official Web site</a>
In a recent <a href="http://www.judgmentofparis.com/board/showthread.php?t=403" target="_blank">post</a>, we called for the day when a show would cast a plus-size actress in a glamorous part--a role that would require her beauty to be explicitly acknowledged. In TV land, this has only happened once before--in the case of Christina Schmidt's character, Terri MacGregor, on <i>Degrassi: The Next Generation.</i>
However, we are now pleased to report a second example of a television character who possesses a measure of Classical beauty. And it just so happens that this character appeared on . . . (you guessed it) . . . <i>Ugly Betty.</i>
We still hesitate to recommend the show outright, as the tone and quality of the series is likely to vary from week to week. Nevertheless, the episode that aired last Thursday (Oct. 5), titled "The Box and the Bunny," not only merits our most enthusiastic praise, but we would even go so far as to deem it . . . <i>Must-See TV.</i>
By way of background, America Ferrera stars in the show's title role, as a newly-hired secretary at a <i>Vogue</i>-like fashion magazine. (This fictional publication is called <i>Mode,</i> and the sacrilegious use of that hallowed name to refer to a <i>straight-size</i> fashion glossy was one of the reasons why we were negatively predisposed toward this series in the first place.)
The storyline of this particular episode involves an actress named Natalie Whitman (with unmistkable Renee Zellweger overtones), who has gained weight for a Bridget-Jones-like movie role.<p><center><img src="http://www.judgmentofparis.com/forum/betty/cap016.jpg"></center><p>Sarah Jones--the actress playing the Zellweger-ish part--is regrettably not plus-size. However, to the great credit of <i>Ugly Betty</i>'s casting director, she does have the soft, rounded face and fair features that epitomize timeless beauty, giving the episode's weight-gain premise some credibility.<p><center><img src="http://www.judgmentofparis.com/forum/betty/cap096.jpg"></center><p>(Sarah is also infinitely more attractive than Ms. Zellweger, which makes the role particularly subversive.)<p><center><img src="http://www.judgmentofparis.com/forum/betty/cap037.jpg"></center><p>In this episode's storyline, Natalie Whitman has just been photographed by Betty's magazine at her current, larger size, and the images have become an "issue" for the magazine's editor, and for Natalie's curve-o-phobic publicist.<p><center><img src="http://www.judgmentofparis.com/forum/betty/cap033.jpg"></center><p>In the (gorgeous) photographs in question, Natalie appears thin, but not starving, which renders her <i>far</i> too curvy-looking for these industry "professionals," with their collective fetish for emaciation.
In the excerpt provided below (as an online video), Natalie's photographs are being digitally diminished to eliminate any trace of her soft beauty.<p><center><img src="http://www.judgmentofparis.com/forum/betty/cap018a.jpg"></center><p>- <a href="http://www.judgmentofparis.com/video/betty01.wmv">Click here to view video clip #1</a> (83 sec.)
It is utterly appalling to see the ways in which this attractive photograph is digitally disfigured by size-reduction manipulation. Natalie's beautiful face, arms, bust, and hips are each destroyed, one by one. Natalie's natural, feminine appearance is distorted into repulsive gauntness. (If any <i>plus-size</i> retailers ever resort to such horrifying practices, their customers should abandon them instantly.)
As the above video clip indicates, Betty is the only magazine staffer who sees this nightmarish practice for the horror that it really is. But deference to her boss prevents her from speaking her mind.
Later, in one of the most painful and moving scenes we have ever seen, Betty notices the actress gazing at her pre-diminished image, heartbroken over the disfigurement of her breathtaking beauty.<p><center><img src="http://www.judgmentofparis.com/forum/betty/cap049.jpg"></center><p>- <a href="http://www.judgmentofparis.com/video/betty02.wmv">Click here to view video clip #2</a> (30 sec.)
These clips reveal the show's wisdom in presenting Betty as a somewhat dowdy character. The series is not simply rehashing a cliched, Cinderella theme (<i>"Ugly Betty learns that beauty is on the inside,"</i> or some such drivel). Rather, Betty represents an everywoman character, a person whose gifts reside not in her photogenic qualities (or lack thereof), but in her ability to look past industry prejudices, and to see Truth in this kingdom of the blind. Wisely, the show gave the Beauty role to a different actress--someone whose physical loveliness is indisputable, regardless of size.<p><center><img src="http://www.judgmentofparis.com/forum/betty/cap083.jpg"></center><p>But the episode does not wallow in pity. The very next scene is such a perfect expression of size celebration, that viewers will be forgiven for thinking that we have altered the dialogue to suit the themes of our Web project. But we have not. This is exactly how the scene played on prime-time TV.<p><center><img src="http://www.judgmentofparis.com/forum/betty/cap052.jpg"></center><p>- <a href="http://www.judgmentofparis.com/video/betty03.wmv">Click here to view video clip #3</a> (40 sec.)
Did you ever think that you would see an ingenue character on network television admit that she is "starving," and indulge in a calorie-rich delicacy (an <a href="http://images.google.com/images?num=100&hl=en&safe=off&sa=N&resnum=0&q=empanada&tab=wi" target="_blank">empanada</a>)--<i>after</i> the show's storyline has established that this ingenue has already gained weight? It is the television equivalent of a plus-size model finally becoming genuinely curvaceous (size 14 or better), and openly acknowledging a passion for food. One cannot conceive of a more size-positive scene (except with a more visibly plus actress).<p><center><img src="http://www.judgmentofparis.com/forum/betty/cap056.jpg"></center><p>The episode suggests that, having gained the weight for her Bridget-Jones-like role, Natalie <i>likes</i> herself at a larger size. Her preference for her non-diminished images signals her awareness that she possesses superior beauty in her current, fuller-figured state. Moreover, her guilt-free enjoyment of Betty's empanadas indicates that she has come to love the freedom of being able to eat as much as she wants, and that she is unwilling to give up this pleasure for the punishment of diet-starvation.<p><center><img src="http://www.judgmentofparis.com/forum/betty/cap061.jpg"></center><p>But it gets even better. Regular readers of this forum will discern that Betty's act of offering the ravenous beauty a decadent treat signifies the mythological basis of their mutually-enabling relationship.<p><center><img src="http://www.judgmentofparis.com/forum/betty/cap063.jpg"></center><p>Betty is, in fact, playing the role of <strong>Ceres</strong> to the actress's <strong>Venus</strong>. As we have noted <a href="http://www.judgmentofparis.com/board/showthread.php?t=390&highlight=ceres" target="_blank">before</a>, Ceres, the Classical goddess of food and the harvest, was an attendant of Venus (whose characteristics included self-indulgent tendencies). In her supportive role, Ceres was charged with satisfying the lavish appetite of the goddess of beauty.
This subtle mythological reference underscores the healthy nature of the relationship that Natalie and Betty share--a relationship based on an appreciation of their mutual gifts. Betty is not resentful of Natalie's feminine beauty, but admires it. Indeed, she is protective of it. And for her part, Natalie is gratified and inspired by Betty's adoration of her more comfortable appearance.<p><center><img src="http://www.judgmentofparis.com/forum/betty/cap047.jpg"></center><p>This mutually-supportive relationship is encapsulated in the following scene. In the episode's storyline, Betty accidentally loses Natalie's unretouched photos, causing friction between Betty's magazine and Natalie's thinness-obsessed publicist, who fears that the photos will harm the actress's career, if they are ever leaked. Betty is on the verge of quitting her job over the trouble that she has caused, when she encounters Natalie once again.<p><center><img src="http://www.judgmentofparis.com/forum/betty/cap081.jpg"></center><p>- <a href="http://www.judgmentofparis.com/video/betty04.wmv">Click here to view video clip #4</a> (75 sec.)
Not only does this scene establish Betty's reverential attitude towards Natalie, but it speficifally refutes a claim that the magazine's curve-o-phobic editor expressed in the first video clip--i.e., that Natalie's images must be digitally disfigured in order to be "aspirational."
The fashion industry habitually twists the notion of "aspiration" into an excuse for the continued suppression of plus-size beauty. But Betty's answer explodes this myth. She states:<p><blockquote><i>"I really did think that those <strong>unretouched</strong> photos were beautiful. And the truth is, I'd kill <strong>to look like you.</strong>"</i></blockquote><p>In saying so, Betty reveals that ordinary women <i>can</i> and <i>would</i> find fuller-figured actresses "aspirational"--more so, even, than underweight celebrities. Fashion <i>is</i> about "aspiration," but Betty's comment reveals that women can and would <i>aspire</i> to look like <i>fuller-figured</i> actresses and models--if those plus-size starlets were as gorgeous as Natalie.<p><center><img src="http://www.judgmentofparis.com/forum/betty/cap092a.jpg"></center><p>In other words--at least in this episode--<i>Ugly Betty</i> is not calling for an end to fantasy and aspiration, but for <i>better</i> aspiration, and for a <i>more beautiful</i> fantasy. The show is not about displacing "ideal" by "real," but about replacing a false ideal (the digitally-diminished Natalie) with a <i>superior</i> ideal (the unretouched, visibly-voluptuous Natalie).<p><center><img src="http://www.judgmentofparis.com/forum/betty/cap027a.jpg"></center><p>Beyond these specific scenes, the episode is a thoughtful examination of Beauty and Truth. Several characters in the show--Betty included--find themselves in difficult circumstances due to lies of convenience, predicaments from which they only extricate themselves by admitting the Truth. Natalie's images thus become a metaphor for the oneness of Truth and Beauty. The magazine is effectively <i>lying</i> by digitially-diminishing Natalie's photos. These distorted images are visual falsehoods, and cause pain and suffering, while the true photos, the unretouched images, show the Truth of Natalie's soft Beauty, and ultimately provide the solution to the episode's central conflict.
In pushing for the use of her unretouched photos, Natalie--in her role as Venus, Goddess of Beauty--also becomes an advocate of Truth. Moreover, the magazine's stick-thin secretary (who is Betty's office rival), represents false beauty--the modern, undernourished sort--while fuller-figured Natalie represents True Beauty. Fittingly, this underweight secretary--although she is technically attractive, according to the magazine's (and the media's) mendacious standards--is actually embittered and envious, whereas Betty, although she is personally unattractive, is supportive rather than resentful of the beautiful actress.<p><center><img src="http://www.judgmentofparis.com/forum/betty/cap074.jpg"></center><p>This episode compellingly advocates loving your body at your natural size, and <i>never</i> starving yourself for absurd industry pressures, or allowing your timeless beauty to be artificially diminished.
(All plus-size models should take this particular lesson to heart.)
More importantly, in the positive relationship between Natalie and Betty, the episode encourages young women to show a reverence for true beauty, rather than a resentment of it. It suggests that, for Beauty to exist, its living exemplars must be cherished, nurtured, protected, and supported, for there will always be negative forces intent on their destruction.
The episode furthermore indicates that any significant cultural change will require the complimentary gifts and efforts of both the Bettys <i>and</i> the Natalies of the world, of Truth and Beauty, of word and image. Only a harmonious union of the two will bring about an Aesthetic Restoration, and restore the timeless feminine ideal.<p><center><img src="http://www.judgmentofparis.com/forum/betty/cap069.jpg"></center><p>- <a href="http://abc.go.com/primetime/uglybetty/" target="_blank">''Ugly Betty,'' official Web site</a>