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Old 25th April 2012   #3
HSG
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Join Date: July 2005
Posts: 1,784
Default Re: Katherine Roll at Coney Island


Katherine has now released several more images from her extraordinary test with Rebecca Schott, the most gorgeous of which is another photograph of the model in her daring two-piece outfit.

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This picture even more dramatically illustrates Miss Roll's voluptuousness and acknowledges the curve of her hips. The most sensual detail, however, is the sight of Katherine's full thighs, which appear fleshy and soft, thus epitomizing the appeal of natural beauty. Her long, fair tresses flow over her shoulders in a seductively loose, heavy manner. Her expression is gentle yet very present and invigorating. The fullness of her arms is visible beneath her fitted overlay. The moss-covered rocks behind her, the sand at her feet, and the sea stretching off into the distance give the photograph depth and drama, with the rocky coastline effectively playing off against the model's soft curves.

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Back on the Coney Island boardwalk, this image epitomizes the appeal of wholesome, gentle sensuality. Katherine's expression is warm and light-hearted, utterly endearing. Her pose flirtatiously exhibits her generous reverse-view curves, but in such a way as to be playful, which creates a more genuinely irresistible effect than a carnal display might have done. Her long, fair hair flows open to reveal the model's neckline, as if inviting the viewer's gaze. The attractive peasant top accentuates her buxom curves and décolletage, as traditional folk attire was ever wont to do.

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A larger version highlights the most sensual aspect of this photograph, the soft fullness at the model's neck. This soft fleshiness is utterly intoxicating to view, and constitutes the essence of what makes true plus-size goddesses so gorgeous. Katherine's fair, creamy skin tone dazzles the eye.

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A second image of Katherine in this feminine peasant blouse is, if anything, even more seductive than the previous photograph. The camera gazes longingly at the heady expanse of bare flesh at the model's neck area. The drawstrings at the neckline offer the tantalizing suggestion that they might loosen at any moment. White, fitted pants are ever the finest of choices if a goddess opts for slacks rather than skirts, as they lovingly define the model's hips and legs. Katherine's hands appear soft and plump, and the way in which she rests her hand on her thigh is a subtly sensual touch.

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Most alluring of all, however, is the swell of round fullness at Katherine's waist. Models all too often constrict their midriffs, creating an unattractively caved-in silhouette, whereas the sight of a model's generous middle is the most irresistible physical detail imaginable. Katherine's expression fascinates, giving the impression that she has caught sight of something in the distance and gazes upon it with considerable interest.

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Miss Roll is at her flirtatious best in the following picture, in which she coquettishly glances off to her side while flashing a delighted grin, as if pleased to have ensnared an admirer's heart. The high-belted dress dramatically exhibits her generous voluptuousness and suggests the rich fullness of the model's waist and hips. Notice how, with one hand, she coyly opens the jacket a little further, as if to offer a better view of her buxom curves, while with the other hand she tugs at her dress. The overall effect is one of conscious, exciting display.

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A larger scan provides a richly detailed view of the model's Cheshire-cat grin. She knows that is practising devilish arts of allurement, and is delighted to see their effect. The contrast between the model's innately angelic features and her minx-like attitude is thrilling. Observe that for this picture, unlike the soft pink that she wears in the previous photographs, Katherine has adopted a more carnal red lip colour, signalling her voluptuous interest, and that her red belt reinforces this undercurrent of passion.

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We must offer the photographer kudos for the composition of this image. Observe how the bright yellow signs, with their attractive, vintage illustrations, enliven this environment and give it a retro appeal. The left-hand sign generates an almost forced-perspective effect, directing the viewer's eye towards Katherine herself, and the fact that it advertises delicious carnival treats is a marvellously liberating touch. The model's outfit, appropriately, has a '50s quality, and her coral pants introduce a fresh hue into the palette of the image. Katherine adopts a playful, easygoing demeanour that perfectly suits the setting. The entire shoot captures a quality that is too often missing in many models' tests: a sense of fun.

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The final image finds Katherine back on the Coney Island boardwalk, looking out to sea, with a pretty gazebo behind her. The sunlight illuminates her golden hair. This image shows Katherine at her angelic best, her facial features appearing soft, full, and pretty, her complexion fair yet ruddy with well-fed health, with the reddish elements in her outfit giving her complexion a touch of fresh colour. The eye lingers over the ebb and flow of her cascading tresses.

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As anticipated, this shoot has produced a extraordinary array of gorgeous images. It is one of Katherine's finest shoots to date, showing her figure to be as luscious and shapely as ever, while her skin tone has never before appeared so angelically fair. The wardrobe styling accentuates the model's curves in a size-positive yet tasteful manner. (Katherine's wardrobe styling is consistently the best in the industry.) The setting enriches the pictures with many narrative possibilities. The poses and expressions are completely believable and natural, without a trace of artifice, yet they attractively display both the model's attire and her own well-fed beauty.

Congratulations to Katherine and to Ms. Schott on an outstanding photo series.

(Click images to view larger.)

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